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You were already great long before you met me

by Future Dancing

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1.
Telling Stories (free) 04:50
When you're looking back six months from now And reflecting on how things turned out From the way you were feeling back then You were anxious and wondering when You would finally be all that you hoped you would be And when faced with the stark separation Between humility and humiliation When a ransom note becomes a love letter You'd be wrong to say I made you feel better You were already great long before you met me Once is not enough Every time you call Once is not enough Any time at all And when faced with the stark separation Between humility and humiliation When a ransom note becomes a love letter You'd be wrong to say I made you feel better You were already great long before you met me
2.
Hold tight! Could it begin like this? I only know how it ends; it ends with a fright. If real life keeps making a mess of this, Leave it alone for a while, ‘til we’re out of sight. This city’s gonna haunt you from the grave Once, twice, three times and it’s all over The enemy’s catching up and we’re in his sights Me, I could never rely on chance But if it’s ordained, well that’s pretty nice This city’s gonna haunt you from the grave Post-mortem’s sounding nice, I think it’s time to leave for a little while I’ll dig my grave in time; ‘til then it’s goodbye This city’s gonna haunt you from the grave
3.
Wyoming 05:14
The places we forgot, or maybe just neglected Were written down in books and carefully collected One hundred years ago, and all throughout the ages, They put it down in pages: the reason that we’re roaming Wyoming We plan to relocate to the least populous state We’re counting every hour on the way to Devils Tower We’ll spend some time alone when we get to Yellowstone We won’t be writing home, we won’t be telephoning Wyoming We set out for just a drive to remind ourselves we’re still alive And even when the sun went down, we didn’t want to turn around Because there’s something in the sky I hear my name in a lullaby And I’m satisfied just knowing where the road is going Wyoming
4.
Photobook 04:00
We wouldn’t take it if it wasn’t on a silver spoon Spent fifteen years on our honeymoon Sold the furniture and emptied out the baby’s room cuz it’s not gonna happen We got some lights and turned it into a studio And put a camera where the crib was supposed to go And we don’t look for answers we don’t really want to know cuz it’s not gonna happen Hey What did we do that was wrong? Why are we still hanging on? Nobody ever knows what to say Hey What about all of our plans? This can’t be how it ends I’m still happy we tried anyway. Now we’re busier and more productive than before But it’s difficult to say what we’re working for So we never even talk about it any more cuz it’s not gonna happen We just focus on the pictures that we’re gonna take And the comfort in conception of the art we make But I wonder if we haven’t made a big mistake cuz it’s not gonna happen Hey What did we do that was wrong? Why are we still hanging on? Nobody ever knows what to say Hey What about all of our plans? This can’t be how it ends I’m still happy we tried anyway. Who said the purpose was to grow ourselves a family tree? We’ll decorate the place with photographs of you and me hold that smile for me ‘til I reach the count of three And we’ll see what happens Have a seat so I can zoom and take a closer look We’re sure to over stuff the pages of our photo book There’s lots of love in here and though it’s not a baby’s nook A whole lot can happen I’m trying not to make it worse I’ll hold this pose until it hurts For you my dear, I’ll keep my vow I’ll stay right here, ‘til I’m in the ground
5.
Recess 05:17
6.
We’ve decided to call this a labor of love And we’re cleaning it off from the bottom to the top I had a dream I was at your wedding with a polka-dot tie on Running round the building Looking for a safety pin When I rushed into a room I saw the husband-to-be, he was fall down drunk He couldn’t see straight, he couldn’t stand up And the father of the bride looked at me and said, “Son, our wedding’s in need of a groom” And I stood there looking like a bag of bones, The lights were on, but there was nobody home I said, “If this is to happen, I’ll go along” We’ve decided to call this a labor of love And we’re cleaning it off from the bottom to the top I stood before the congregation with my eyes open wide Sweating through my suit Looking like a deer in the headlights Watching, shaking, waiting for you You crept through the church like a criminal, stealthy and slow Absorbing attention as you came through the door And when you saw me, your jaw hit the floor. And you stood there looking like a bag of bones, The lights were on, but there was nobody home You said, “It’s not how I pictured, but I’ll go along.” We’ve decided to call this a labor of love And we’re cleaning it off from the bottom to the top
7.
8.
All Hands 04:22
Like the smokestacks on the ship near the shoreline Welcome you home when you arrive When you’re turning around with the tide You know I’ll be there to say goodbye And I can’t tell if we’re really improving or just flailing around ‘cuz we can’t stop moving We’ll keep trying ‘til we finally get it, if we settle for failure we might regret it I can’t tell if were even improving but we’re comfortable now, and that must mean something We’ll keep trying ‘til we finally get it if we fall on our faces and say that it’s time to give up I’ll regret it all All hands, underwater! All mouths, stick together like tacks and nails! One hand clutches the other!
9.
I’m looking for the address Of a washed up aging actress If I’m lucky she’ll be At home and asleep and not dead on a mattress And the highs are high In the life of a private I Exposing the lies Of cheating husbands to jaded wives But this is the last assignment I’m getting out while I can And I’m going back to a town where everyone I know has left already And this time I’m taking you with me Whether you like it or not I’m going back to a place where everyone I know is already gone And this time you’re coming along Whether you like it or not But I think you’ll like it a lot. I’ve waited my whole life for this A family, a home, marital bliss And here I stand at the stove Preparing what I’ll end up eating alone And the days drag by For the wife of a private I Maybe I’ll run away Disappear in the night and become your next case Once again, it’s his last assignment Well I’m getting out while I can. And I’m going back to a town where I everyone I know will be happy to see me Where there’s no doubt they love me Whether you like it or not I’m going back to a time and place Where I knew I belonged Before my young heart was wronged And whether you know it or not That was your last shot I’m wearing grooves in the floorboards Pacing backwards and forwards I’m wearing grooves in the floorboards Please be home (I won’t be home)

credits

released March 22, 2011

Margaret Kaiser - vocals, keys, glockenspiel, hand percussion
Brandon Kaiser - vocals, acoustic guitar, electric guitar
Patrick Ginn - electric guitar
Colin Mann - keys, vocals
Jamieson Tabb - drums
Aubrey Torres - bass

Recorded by Keith Gretlein
Mixed by Patrick Ginn & Future Dancing except "All Hands" mixed by Keith Gretlein & Future Dancing
Mastered by Louie Teran at Marcussen Mastering
Additional bass guitar on Telling Stories by Charlie Campagna
Trumpets on The Last Assignment by Theodore Scott Smith

Special Thanks to Mark Camperell, Soundelux DMG and especially Charlie Campagna

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